LOST
BALLS
“This is it, boys! And girl.
Glory be to the golf gods!”
— Stripe, Pro V1x, first tee
LOST BALLS
At Greenview Country Club, every golf ball, tee, flagstick, and bunker rake is alive. The members are oblivious. Together, they have to stop a private-equity prick from turning the back nine into pickleball courts.
STRIPE: “Put some jizz on it and land me on the dance floor.”
CAP 18: (rolls his eyes)
South Park meets Caddyshack,
by way of Rick and Morty.
The hook of the show: the equipment talks.







The members are oblivious. That’s the joke.







$250,000.
We’re raising $250K to create and distribute an adult animated series.
And to scale it into multiple monetization channels.

Golf is having a moment.
It’s happening on YouTube — not TV.
Per David Hyland, The Business of Golf (Nov 2025):
Good Good draws 1–2M views per video. Rick Shiels routinely outperforms PGA Tour highlights. The median Golf Channel viewer is 64.



April 2026: DeChambeau (2.6M), Horvat (1.6M), and the Bryan Bros (800K+) merged into Source Golf — a single ad network backed by David Blitzer’s Bolt Ventures. The creator economy in golf is consolidating into media companies in real time.
Adult animation is hot.
Golf has no animated show.
Stick is on Apple TV+ with a second season ordered. The Hawk is coming to Netflix. Golf-as-comedy is officially having its moment — in live action.
Nobody’s made the animated one yet. And adult animation has never had a clearer path to a streaming pickup.
Five proofs. Same pattern.
Five real companies have already run this play. They each started in a different place. They all ended up in the same one.

“I was born to fly,
bitches.”
— Stripe, first tee, pilot episode
Hazbin started on YouTube and ended up on Amazon in 240 countries. Good Good raised $45M at Series A on the back of golfers talking into cameras. The market shifted while the networks weren’t looking — and nobody’s made the show that lives where this audience now lives.
Lost Balls is the series this audience hasn’t been given yet. Let’s give it to them.
Parody is the bait.
Partnership is the hook.
We turn a real golf creator into a Lost Balls character. They share the clip because it’s funny — and because the parody flatters them. Their subscribers come watch. We do it again with the next creator.
The animated ball
HEADSHOT
Ship shorts. Learn fast. Double down.
Start where production risk is lowest and the algorithm is most generous. Let the data tell us which format to scale.
Smiling Friends’ early Adult Swim run — sub-$2M season 1.
Helluva Boss — YouTube-native mid-form with a rabid fanbase before any streamer touched it.
Hazbin’s exact arc — indie YouTube pilot → A24 + Amazon, two-season order.
Five revenue lines. One trajectory.
Each line has a precedent already doing it at scale. We’re not inventing the model — we’re stacking the strongest version of each.
AdSense → Brand deals → Merch flywheel → Streaming pickup → IP licensing → Exit.
Who’s behind it.
Final bios to be inserted before send.